Week 7 – Seven Guitars (some notes)
References to seven: The seventh play written in the cycle. Seven characters. Seven non-existent guitars. Seven years of bad luck. Red Carter used to have seven women. Six angels at the cemetery carry Floyd’s spirit away (7). Floyd’s seven ways to go. Red Carter counts seven birds sitting on a fence. Contest between Floyd’s six strings and Hedley’s one (7). Six men killed after George Butler died (7). Seven characters we never see who figure prominently (Pearl Brown, Leroy, Elmore, Hedly’s dad, Louise’s ex, Mr. T. L. Hall, Ruby’s unborn baby). and finally, From Wilson’s “Note from the Playwright,” the seven characteristics of his mother worthy of art.
Found poetry from Notes From the Playwright:
I have tried to extract
some measure of truth
from their lives as they struggle
to remain whole in the face
of so many things that threaten
to pull them asunder.
I am not a historian.
I happen to think that the content
of my mother’s life –
the contents of her pantry,
the song that escaped
from her sometimes parched lips,
her thoughtful repose
and pregnant laughter –
are all worthy of art.
Hence, Seven Guitars.
Hedley is the seer and spirit guy/guide, like Holloway, Doaker, Bynum (especially), Bono, Toledo, and Becker. Root tea drinker (also alcoholic, it appears). Jamaican, maybe, but could be Haitian. Speaks with an accent, a patois. Recalls Toussaint and Marcus Garvey. Ethiopia, rasta talk. In fact, much of his soliloquy in Act 2 Scene 5 appears to be lifted from Marcus Garvey speeches. Wants to buy a plantation, be a big man (in all the plays, the spirit guy/person is always in contention to be the Warrior).
Floyd reminded me a bit of Hambone (tell him to give me my money!), but also of Bynum and of Gabe. He also reminded me of Troy Maxsom and possibly of Levee, trying to make it as a musician but seemingly doomed at every corner. Only WWII veteran in the bunch. Floyd is the band leader and the guitarist (recall Boy Willie offered to get Mareatha a guitar in place of the piano). Buys the marker for his mother’s grave on Mother’s Day. I think Floyd is the Wilson Warrior here. But perhaps he shares it with Hedley.
Louise fits in the character mould of other strong stable women characters (Risa, Berniece, Bertha, Rose, and Ma Rainey). Although Vera does not heed Louise’s advice (about her Henry) immediately, in the end fate changes things and she does.
Canewell’s riff on roosters at end of Act 1. Naturally, he is the harmonica player in the band, having paid so much attention to roosters crowing. Lives with “some old gal.”
Catalog lists (Whitmanian) : roosters (Alabama, Georgia, Mississippi); types of cigarettes (Old Gold, Chesterfield, Pall Mall); brands of beer (Iron City, Duquesne, Black Label, Red Label, Yellow Label); Guns (Smith and Wesson, 38, snub nose 32 (no mention of 45, military issue).
Hedley slashed Floyd’s throat with a machete (like Loomis and Risa self slashing and Levee killing Toledo with a knife). Dance scene celebrating Joe Louis victory: Juba (in Joe Turner); Prison song (in Piano Lesson).
Joe Lewis radio scene ages the play and provides multimedia appeal (Act 1, Scene 5). And what about the cabbage song (sexual innuendo) scene right after the funeral that opens Act 1?
Card playing: bid whist, pinocle, pitty pat.